视频简介
一对爱恋的男女，因时局的动荡而不能在一起。于是女主人公就把一首唐代伟大诗人白居易的《长恨歌》：“在天愿作比翼鸟，在地愿为连理枝。天长地久有时尽，此恨绵绵无绝期。”写在一幅象征“荣华富贵”的牡丹图上一起给了自己心爱的恋人，但他们的爱情故事犹如诗中所描述。“爱到极致便是恨”。时过境迁，“牡丹图”在一次事件中下落不明。多年过去。已是暮年的男主人公带着仅存的记忆和遗憾，跨越时间与空间寻找这幅带着思念与爱的“牡丹图”。然而，人性的贪婪，为他的寻找之旅设下多重关卡…。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事发生在江户时代末年，雾里（高冈早纪 饰）偶然之中遇见了孤女朝雾（安达佑实 饰），将她带回了妓院，训练其成为了游女。朝雾曾遭到母亲的虐待，身上遍布了樱花状的伤疤，却因祸得福，因为这异于常人之处而备受客人喜爱。 某日，在盛大的祭奠中，朝雾邂逅了名为半次郎（渊上泰史 饰）的青年，善良老师的半次郎吸引了朝雾的注意，使得她坠入了情网之中。然而，身为妓院头牌，恋爱是被明令禁止的，朝雾因此而遭到了老板娘的斥责。之后，在吉田屋（津田宽治 饰）举办的宴会上，朝雾和半次郎重逢了，吉田屋察觉到了两人流露出的情谊，占有欲极强的他决定拆散他们。。